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Nasruloh, Muhammad Ilyas ; TEACHER-STUDENT INTERACTION IN A PROJECT-BASED LEARNING CLASSROOM : A Case Study in A Private Elementary School in Bandung.
Novitri, Pradetia ; THE REPRESENTATION OF BEAUTIFUL WOMEN IN SKIN-WHITENING COSMETICS TV COMMERCIALS.
Nurhaki, Ricky ; CODE SWITCHING AND VIEWERS’ ATTITUDE TOWARD INTERVIEWS WITH PRESIDENT SUSILO BAMBANG YUDHOYONO (SBY): An Analysis of Interview Transcript from www.presidenri.go.id.
Nurmala, Linda ; THE ANALYSIS OF JARGON FORMATION IN ONLINE TRADING: A Case Study Of Jargon Formation In Forum Jual Beli.
Nurohmah, Iin ; AN ANALYSIS OF STUDENTS’ DIFFICULTIES IN WRITING RECOUNT TEXT BY USING SYSTEMIC FUNCTIONAL GRAMMAR.
Pradhana, Dhea Restu ; HERO CONSTRUCTION NARRATIVE IN A BUG’S LIFE, THE FILM.
Pranasari, Dian ; ALIENATION IN CAPITALIST SOCIETY IN KURT VONNEGUT’S CAT’S CRADLE : An Analysis Of Karl Marx’s Theory Of Alienation.
Puspadewi, Dinnawaty Annisa ; VERBAL AND VISUAL REPRESENTATION OF MEN IN NIVEA FOR MEN PRINT ADVERTISEMENTS.
Saleh, Desti Ilmianti ; BREAKING THE MAGIC CODE: FINDING THE PATTERN OF GOODKIND’S FANTASY FICTION WIZARD’S FIRST RULE.
Setiawati, Liani ; PORTRAYING TEACHER-STUDENT’S INTERACTION IN EFL CLASSES : A Case Study in 7TH and 8th EFL - CLT based classroom. S2 thesis,
Sinaga, Hotgantina ; MICRO EDITING COMMON ERROR TYPES IN UNEDITED PRINTED ARTICLES OF THE JAKARTA POST.
Supartini, ; BECOMING ENGLISH TEACHERS IN ENGLISH AS AN INTERNATIONAL LANGUAGE (EIL) CONTEXT IN INDONESIA.
Susan, Ivonne ; THE USE OF TEACHING PROFICIENCY THROUGH READING AND STORYTELLING (TPRS) TO IMPROVE STUDENTS’ LISTENING COMPREHENSION.
Triani Pujiastuti, Rini ; CLASSROOM INTERACTION: AN ANALYSIS OF TEACHER TALK AND STUDENT TALK IN ENGLISH FOR YOUNG LEARNERS (EYL).
Utami, Prita Annisa ; THE LEGITIMATION CONSTRUCTION IN REGENT OF GARUT’S STATEMENTS ON HIS UNREGISTERED MARRIAGE: A Critical Discourse Analysis.
Yuliana, Ariska ; THE REPRESENTATION OF PALESTINIANS IN THE SPEECHES OF THREE US REPRESENTATIVES REGARDING THE UN GENERAL ASSEMBLY VOTE ON PALESTINIAN STATEHOOD.
ABELIA INDIRA GHAISANI, ; THE ADJECTIVAL COLLOCATES OF THE NOUN ‘TECHNOLOGY’ FROM 1940 TO 2015: A STUDY ON AMERICAN CORPORA.
ADRIAN DANIARSYAH, ; CENSORSHIP ON FEMALE SEXUALITY IN INDONESIAN TELEVISION: AN AUDIENCE STUDY.
AFIZA RAHMA SAFITRI,; CODE-SWITCHING USED IN VLOGS BY INDONESIAN YOUTUBERS ANDOVI AND JOVIAL DA LOPEZ.
AGTAVEMI APRILIA NIARIESTA, ; SYMBOLS OF BEAUTY IN SHAKESPEARE’S SONNETS: SONNET 18, SONNET 54 AND SONNET 130.
AHMAD SAHLIN,; AKADEMI SENI RUPA SURABAYA (AKSERA) TAHUN 1967-1972.
AISYAH NADINE PUTRI, ; THE REPRESENTATION OF GENDER PERFORMATIVITY IN NETFLIX TV SERIES ORANGE IS THE NEW BLACK.
AKBAR PERDANA HARTOADI, ; THE REPRESENTATION OF CLASS SRTUGGLE IN THE MOVIE THE DIVERGENT SERIES: ALLEGIANT.
ALMAS RIZKIKA NABILA, ; AN ANALYSIS OF STUDENTS' ATTITUDES TOWARD THE IMPLEMENTATION OF K-13 (2013 CURRICULUM) A Case Study of the Tenth Grade of English Class at SMAN 3 Tuban.
ALVI PURMASARI, ; AN ANALYSIS OF LEXICAL ERRORS IN RECOUNT TEXTS PRODUCED BY THE ELEVENTH GRADE STUDENTS OF MAN SIDOARJO.
ALVIANA NUR AFIFAH, ; A MULTIMODAL ANALYSIS OF ANTANGIN JUNIOR AND ANTANGIN JRG ADVERTISEMENTS INDICATING PARTICULAR CONSUMERS’ AGE GROUPS.
AMALIA WULANSARI CITRA ANDARI, ; A STUDY OF COHESIVE DEVICES ON THE NEW YORK TIMES ONLINE NEWSPAPER ABOUT PRABOWO SUBIANTO.
ANA HAFIDZOTUN NISA’, ; WOMEN’S LINGUISTIC FEATURES OF THE MAIN FEMALE CHARACTERS IN FROZEN.
ANDI BAGUS PRAKOSO, ; THE ABSENCE OF FATHER FIGURE ON SUTTER’S ADOLESCENCE IN JAMES PONSOLDT’S THE SPECTACULAR NOW ; FILM : A PSYCHOANALYSIS CRITICISM.
ANGGI DINDA PRATIWI, ; THE PORTRAYAL OF THE LGBT COMMUNITY IN THE JAKARTA POST THROUGH THE USE OF DISCOURSE STRUCTURE.
ANIS MIFTAKHUL ULFA, ; Woman Exploitation as Seen in McCormick’s Novel Sold.
ANISA INTANIA SUDIBJO, ; SLIPS OF THE TONGUE PRODUCED BY INDONESIAN COLLEGE DEBATERS IN THE INDONESIAN DEBATE COMPETITION.
ANITA MARET PRASETYOWATI, ; THE REPRESENTATION OF INDONESIAN WOMEN IN JAKARTA POST ARTICLES THROUGH THE TYPES OF INDIRECT SEXISM.
ANNISA DIAN SHAFIRA, ; THE PORTRAYAL OF PLURAL SOCIETY IN INDONESIA IN ADIT, SOPO&JARWO INDONESIAN TV SERIES.
ANNISA RAMADHANIA, ; THE PORTRAYAL OF WOMAN STRUGGLE AS A MOTHER IN ROOM FILM : A FEMINIST PERSPECTIVE ON MOTHERHOOD.
ANNISA ROCHMA SARI, ; THE SHIFTING OF NATIONALISM THROUGH CULTURAL IDENTITIES: ANALYSIS OF GOOD NEWS FROM INDONESIA INSTAGRAM ACCOUNT.
APRIL LINDA NUR FATICHAH, ; WOMEN AND TECHNOLOGICAL CONTROL TOWARDS NATURE IN VICTORIA AVERYARD’S RED QUEEN: A POSTCOLONIAL ECOFEMINISM STUDY.
APRILLIA AMAIL,; THE MEANING OF FATHERS’ MASCULINITY IN GLOBAL TV’S SUPER PAPA EPISODE RICKY HARUN AND EPISODE TYSON LYNCH: A RECEPTION STUDY TOWARDS AIRLANGGA SUB-DISTRICT RW I YOUNG ADULT FATHERS.
APRILYAN ADAM RAMADHAN, ; FEMINIST FILM STUDY IN ZOOTOPIA WITH THE PERSPECTIVE OF BEAUVOIR FEMINISM CONCEPT.
ARUM KUSUMANINGTYAS, ; LEXICAL AND STRUCTURAL AMBIGUITY IN THE ONLINE NEWS ARTICLES OF THE JAKARTA POST AND ANTARA NEWS.
ASNURUL NOVIA NARENDRA, ; THE REPRESENTATION OF MUSLIM WORKING WOMEN IN MUSLIMAH LEADER RUBRIC IN NOOR MAGAZINE 2015.
AULIA DIAN SAFITRI, ; THE REPRESENTATION OF WOMAN’S BODY CONCEPT IN COLGATE’S SLIMSOFT TELEVISION COMMERCIAL: A SEMIOTIC ANALYSIS.
AYU INDAH WIDYASARI, ; GENDER PERFORMATIVITY IN TROYE SIVAN’S YOUTH MUSIC VIDEO. Skripsi thesis, U.
AZKIYATUN NUFUS FIRANI, ; THE REPRESENTATION OF FOOD AND CULTURAL IDENTITY IN @INIJIE INSTAGRAM ACCOUNT.
Achmad Fany Juliananto, ; THE PORTRAYAL OF RONNIE MILLER'S DEFENSE MECHANISM IN NICHOLAS SPARKS' THE LAST SONG: A PSYCHOANALYSIS STUDY.
Adinda Rizki Ramadhani, ; WOMEN’S LINGUISTIC FEATURES OF KATHERINE WATSON AND BETTY WARREN IN “MONA LISA SMILE”.
Agita Bela Hakiki, ; A COMPARISON OF MULTIMODALITY ELEMENTS USED IN BEYONCE'S MUSIC VIDEOS: CRAZY IN LOVE AND FORMATION.
Ambarwati, ; BLACK PRIDE CONSTRUCTION ON AFRICAN AMERICAN HERO IN THE BOOK OF ELI ;MOVIE: AN ARCHETYPAL STUDY.
Ana Nur Ainy, ; DECONSTRUCTING THE CONCEPT OF ‘PURE WOMAN’ IN THOMAS HARDY’S TESS OF THE D’URBERVILLES.
Antariksa Akhmadi, ; COMPARISON OF ENGLISH AND INDONESIAN LYRICS OF OREO WONDERFILLED ADVERTISEMENT: A LOCALIZATION PERSPECTIVE.
Avenie Putri Sari, ; THE FUNCTIONS OF PSA “PENYAKIT YANG DIAKIBATKAN ROKOK”: A STUDY OF DISCOURSE OF ADVERTISING.
Ayu Nukita Sari, ; Language Teaching Strategies Used by the English Teacher at 10th Grade Students in SMA Antartika Sidoarjo.
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BARKAH RAMADHAN, ; THE REPRESENTATION OF MONOMYTH FROM THE TWO MAIN CHARACTERS IN CHINA MIEVILLE’S UN LUN DUN.
BELINDA DEVINA, ; THE USE OF TEACHER'S CORRECTIVE FEEDBACK IN SPEAKING ACTIVITY STAGE FOR INTERMEDIATE CLASSES AT EF KAYUN SURABAYA.
BERLIANA SAPUTRI, ; SLIPS OF THE TONGUE IN THE UTTERANCES OF PRESCHOOLERS AGED 4-6 YEARS OLD IN SURABAYA WHILE CONVERSING WITH THEIR MOTHERS USING BAHASA INDONESIA.
BUDI AGUNG SETYO NUGROHO,; THE AMBIVALENCE OF HENRY TOWNSEND IN EDWARD P. JONES’ NOVEL THE KNOWN WORLD: A POST-COLONIAL STUDY.
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CHARISA FINI EFFENDI,; CODE SWITCHING IN COSMO GIRL INDONESIA MAGAZINE.
CHRISTANTY AUGUSTINE S., ; CHALLENGING THE TRADITIONAL GENDER ROLE IN JACQUELINE KELLY'S NOVEL THE EVOLUTION OF CALPURNIA TATE: A FEMINISM APPROACH.
CLEARANI LUH YEYEN ISPRIADI, ; ECOLOGICAL IMPERIALISM IN TESSA HARRIS’S THE DEAD SHALL NOT REST NOVEL.
Cindy Imeidha Tiffanie, ; AN ANALYSIS OF LEXICAL CHOICE USED IN THE 2016 U.S. PRESIDENTIAL THIRD ROUND DEBATE.
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DARA ADHELIA YOEDHISTIRA, ; MISOGYNY IN QUENTIN TARANTINO’S THE HATEFUL EIGHT FILM.
DEA SISCA KUSDIANA, ; MYSTICISM AND EXOTICISM IN INDIA IN COLDPLAY MUSIC VIDEO “HYMN FOR THE WEEKEND” ;: A PROCESS OF OTHERING.
DESI DWI CAHYATI, ; THE EFFECTS OF COLLABORATIVE AND INDIVIDUAL OUTPUT TASKS ON THE LEARNING OF ENGLISH COUNTABLE AND UNCOUNTABLE NOUNS.
DEWANTI KINANDHANA, ; TEACHER TALK ANALYSIS AT ENGLISH FIRST DELTA PLAZA SURABAYA.
DIAN ATIKASARI, ; THREE COMMONPLACES OF NARRATIVE IN A TEACHER’S LIFE STORY.
DIYAN ANITA PUSPITASARI, ; MISHEARINGS EXPERIENCED BY INDONESIAN STUDENTS IN GRADES 4-6 OF SDN AIRLANGGA 1 SURABAYA.
DYAH AYU WIDURI,; DECONSTRUCTION OF THE VIEW TOWARDS DYSFUNCTIONAL FAMILY IN EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT.
Derry Kurnia Addinta, ; AN ANALYSIS OF LANGUAGE OF HUMOR AT “INI TALK SHOW” TELEVISION PROGRAM.
Desak Putu Ardini Handayani,; POLITENESS STRATEGIES USED BY THE SUSPECT IN THE CRIMINAL INVESTIGATION BY THE POLICE.
Devi Istyanisa Haryuni, ; THE MEANING AND THE SOCIAL ASPECTS OF SLANG FOUND IN MAD MAX: FURY ROAD MOVIE.
Dwi Ayun Pratiwi,; THE REPRESENTATION OF MASCULINITY IN BANGTAN BOYS CLIP VIDEO ENTITLED DOPE.
Dwi Cahyani Octavianti,; The Representation of Woman in “Roar” Music Video by Katy Perry.
EKAMAGDA YUCCA AFIFAH, ; THE COMMODIFICATION OF DEVOUT MUSLIM IDENTITY THROUGH ENDORSEMENT PICTURES POSTED ON OKI SETIANA DEWI’S INSTAGRAM.
ELIN SETIAWATI, ; THE COMPARISON OF WOMEN’S LINGUISTIC FEATURES USED BETWEEN MEN AND WOMEN ASK.FM USERS ON RESPONDING TO HATE MESSAGES.
ELIZABETH ALEXANDRIA LAUREN,; DISCOURSE OF CHINESE-INDONESIAN IN KICK ANDY’S MR. GOVERNOR AND KONTROVERSI AHOK.
Eka Marina Pratiwi, ; COMPARATIVE STUDY OF ENGLISH TEXT COMPOSITION WRITTEN BY BILINGUAL STUDENTS IN PUBLIC SCHOOL AND INTERNATIONAL SCHOOL.
FARRIN DYOTA RACHMADILLA, ; THE INTERNET LANGUAGE FEATURES USED BY MALE AND FEMALE COMMENTATORS IN COMMENTING “BAD (OFFICIAL MUSIC VIDEO CLIP) BY YOUNG LEX FEATURING AWKARIN” ON YOUTUBE.
FAWZIA NOOR UMMAH,; THE STRUGGLE OF MULLET FINGER TO PROTECT BURROWING OWLS FROM HABITAT DESTRUCTION IN CARL HIAASEN’S HOOT.
FESTIANANDA ERUM MAWADDAH, ; A NEW CRITICM STUDY: XENOPHOBIA OF THE MAIN CHARACTER IN UMBERTO ECO'S THE PRAGUE CEMETERY.
FITA NOFARYA,; DISCURSIVE REFERENCES OF NATIONALISM WITHIN PANDJI PRAGIWAKSONO’S MESAKKE BANGSAKU STAND UP COMEDY SHOW.
FITRI DIANITASARI,; TRANSLATION ERROR FOUND IN UNDERGRADUATE THESIS ABSTRACT OF COMMUNICATION SCIENCE UNIVERSITAS AIRLANGGA BATCH 2015.
FRANSISCA KRISTIAN KUSUMA WARDANI,; HERO AND VILLAIN REPRESENTATION IN THE FILM 13 HOURS: THE SECRET SOLDIER OF BENGHAZI ;.
FRISTY LUANTSA KAULINA, ; THE INTERNET LANGUAGE FEATURES AND DICTIONS OF THE TWEETS OF MARIAH CAREY AND ARIANA GRANDE: A COMPARATIVE STUDY ON LANGUAGE AND AGE.
Fariz Fajrillah Murnadiputra, THE COMPARISON OF THE MODES USED IN TV ADVERTISEMENTS FOR MALES AND FEMALES: A CASE STUDY ON POND’S PRODUCT ADVERTISING.
Fitria Zahrina Putri, ; WHEN LOVE DARES (NOT) SAY ITS NAME; HOMOPHOBIA AND (HOMO)SEXUAL IDENTITY PORTRAYED IN SILVERA’S MORE HAPPY THAN NOT.
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GADIS LARASATI PERDANA, ; FASHION AND IDENTITY: THE MODIFICATION OF BATIK-GRUNGE RIPPED JEANS BY MOJOKERTO GRUNGE SOCIETY (MGS).
GILANG ZEILA NURUL HUDHA, ; FASHION CRITICS’ REGISTER IN FASHION POLICE TALK SHOW.
GISKA EKANA S., ; GENDER PERFORMATIVITY IN SELEBGRAM: CASE STUDY OF @JOVI ADHIGUNA INSTAGRAM ACCOUNT.
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HANA NURJANAH, ; THE BEAUTY CONCEPT PRESENTED BY FEMALE PRESENTERS IN PARA PETUALANG CANTIK INDONESIAN TELEVISION PROGRAM.
HAZMI PUTRA K.N., ; THE AMBIVALENCE OF THA’MMA’S DEPICTED IN AMITAV GHOSH’S NOVEL THE SHADOW LINES: A POST-COLONIAL STUDY.
HEPPY EGRETTA, ; AN ANALYSIS OF TRANSLATION INDONESIAN-ENGLISH RESTAURANT MENU IN THREE-STAR HOTELS IN SURABAYA.
HERDHIANTI PUTRI YUNIAR, ; FETISHISM IN FOOD AND FASHION PROGRAM IN TRANS TV.
HERDINDA OCTARI,; THE REPRESENTATION OF WOMEN’S CHARACTERS IN CINDERELLA THE MOVIE : A FEMINIST ANALYSIS.
Hasnia Minanda, ; THE PORTRAYAL OF WOMAN IN TOP WHITE COFFEE COMMERCIAL: RALINE SHAH VERSION.
Hidayatul Khoiriyah,; THE PORTRAYALS OF THE LOWER CLASS IN AXIS IRITOLOGY NOMOR 54 INDONESIAN COMMERCIAL BREAK: A SEMIOTIC ANALYSIS.
Husnuz Ziya Labib Ahmad,; Representation of Villain in Kamen Rider Wizard the 23rd Serie.
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IBRAHIM BAHALWAN, ; THE WORD ERROR COMPARISON BETWEEN GOOGLE AND MICROSOFT AUTOMATED SPEECH RECOGNITION SYSTEMS.
ICKO DIVINO RHESANANDA,; THE REPRESENTATION OF MASCULINITY IN @WAKDOYOKCREAM INSTAGRAM ACCOUNT: SEMIOTIC STUDY.
IKA MEIDYANA RACHMANIA, ; BEAUTY AND MASCULINITY: A SEMIOTIC STUDY OF @Endi_feng INSTAGRAM ACCOUNT.
IKKO DESTRIYA ANGGITA ATTISHA LAILA, ; CODE SWITCHING USED BY IVAN GUNAWAN AS THE COMMENTATOR IN THE DANGDUT ACADEMY ASIA 2.
ILHAM PRAYUDA, ; THE REPRESENTATION OF INDONESIAN NATIONAL IDENTITY THROUGH SPORT IN DJARUM COMMERCIAL BREAK BADMINTON SCHOLARSHIP VERSION .
ILMIA ZILVA,; TEACHING STUDENT’S ACCURACY IN PRONOUNCING –ED ENDING WORDS BY USING NARRATIVE CARTOON VIDEO IN MTS BILINGUAL MUSLIMAT NU PUCANG SIDOARJO.
INDATI CAHYA LUVITHA,; THE PORTRAYAL OF GENDER ROLES IN THE INTERN FILM: ANALYSIS ON THE CHARACTER JULES OSTIN’S ROLE AS A WORKING MOTHER.
INGGAR PRAMBAN DHANI, ; Communication Accommodation Strategies Performed by Lazuardi Al-Falah Klaten Elementary Teachers in Cambridge International Curriculum (CIC) Classes.
INTAN HERTY JIHANE, ; OJIBWA PEOPLE’S RESISTANCE STRATEGIES TOWARD WHITE PEOPLE IN LOUIS ERDRICH’S THE BIRCHBARK HOUSE, THE GAME OF SILENCE, AND THE PORCUPINE YEAR: A POSTCOLONIAL STUDY.
IRENE NOVELLA SIDABUTAR, ; COMPARISON OF LINGUISTIC FEATURES USED BY THE MAIN CHARACTERS IN GHOSTBUSTERS 1984 AND GHOSTBUSTERS 2016.
IRMA RATNASARI, ; GENDER STEREOTYPING IN THE WORDS USED IN ESQUIRE AND COSMOPOLITAN ARTICLES: A CORPUS-DRIVEN STUDY.
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KELDA GIOVANNIE,; AGAINST THE STEREOTYPE OF AFRICAN AMERICAN WOMEN IN TONI MORRISON'S GOD HELP THE CHILD.
KEMAS YUSI CHAMLIN,; THE REPRESENTATION OF WHITENESS THROUGH THE PORTRAYAL OF CYBORGS IN EX MACHINA MOVIE.
KURNIA NUR LAYLI, ; “A JOURNEY TO SOUTH AMERICA”: ECOLOGICAL IMPERIALISM IN CONAN DOYLE'S NOVEL THE LOST WORLD.
Kartika Widya Sari ; SYLVIA PLATH’S CONFESSION ON SUICIDE THROUGH SYMBOLS IN “LADY LAZARUS” AND “EDGE”: AN EXPRESSIVE APPROACH.
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LAILATUL MAZIDATUR ROHMAH,; FEMME FATALE IN SHERLOCK HOLMES “THE ABOMINABLE BRIDE” TV MOVIE.
LUKY FATMASARI,; SYNTACTIC COMPLEXITY FOUND IN THE ABSTRACTS OF JOURNAL ARTICLES WRITTEN BY MALE AND FEMALE WRITERS.
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MADE SARASWATI SRI ADIWANGSA, ; AMBER’S DESIRE FOR TRUE FRIENDSHIP IN SIOBHAN CURHAM’S THE MOONLIGHT DREAMERS: A NEW CRITICISM STUDY.
MAFTUHA RIFKA AULIYA, ; ILLOCUTIONARY ACT ANALYSIS DONALD TRUMP’S IMMIGRATION SPEECH DURING U.S PRESIDENTIAL ELECTION PROCESS 2016.
MAFTUHA RISKA DESERA ANPRAYANA, ; AN ANALYSIS OF DRILLING TECHNIQUE USED BY ENGLISH TEACHERS OF THE TENTH GRADE IN SMA NEGERI 1 KRIAN.
MARIA ELFRIEDA C.S.T, ; THE SOCIAL SYSTEM ALTERATION IN A SOCIETY RULED BY CAPITALISM REFLECTED IN J. M BARRIE'S PETER PAN AND GERALD BROM'S THE CHILD THIEF: AN INTERTEXTUAL ANALYSIS.
MARINDA AYU BESTARI, ; THE IMPLEMENTATION OF CORRECTIVE FEEDBACK PROVIDED BY A TEACHER TOWARDS STUDENTS AT GLOBAL ENGLISH (GE) PARE IN SPEAKING CLASS.
MASHUDI TRIYATONO,; AN ANALYSIS OF TYPES AND FUNCTIONS OF SLANG WORDS USED BY PRESENTERS IN MTV MOVIE AWARDS 2016 LIVE PROMO.
MIRNA AYU PUTRI, ; The Stereotyping of Indonesian in Sacha Stevenson's Videos Entitled How to Act Indonesian in YouTube.
MIRZA SETIAWAN, ; THE PSYCHOPATHOLOGY EXPERIENCED BY STHEPHEN IN DJANGO UNCHAINED MOVIE.
MOCHAMMAD ARIEF MAULANA, ; INTERPRETATION OF YEONG-HYE’S DREAMS IN HAN KANG’S THE VEGETARIAN: A PSYCHOANALYSIS STUDY.
MOH. RIZAL KHANAFI, ; HUMAN-COMPUTER CONVERSATION: GRICEAN COOPERATIVE PRINCIPLE INCOMPLIANCES OF GOOGLE ASSISTANT.
MOHAMAD IRHAM P.,; LEXICAL ERRORS IN ENGLISH WRITING PRODUCED BY ENGLISH TEACHERS OF SMP NEGERI 1 KOTA GORONTALO AND SMP NEGERI 1 KABILA.
MUHAMMAD ADITYA PURNOMO,; ELEMENTS OF SARCASM ON WILLY WONKA INTERNET MEMES.
MUHAMMAD AGUNG WIJANNARKO, ; INTERNALIZED RACISM AS EXPERIENCED BY JEFFERSON IN ERNEST J. GAINES’ A LESSON BEFORE DYING.
MUHAMMAD ALIFDIKA RAHMANDIANSYAH, ; AVELINE HEROINE’S JOURNEY IN UBISOFT’S ASSASSIN’S CREED: LIBERATION A POST-COLONIALISM STUDY.
MUHAMMAD REZA DHARMAWAN, ; WORD-FORMATION PROCESSES OF THE REGISTER USED BY JVAPE SHOPKEEPERS AND CUSTOMERS AT JVAPE SURABAYA.
MUHTADIN MUSTAFA, ; THE COMING-OF-AGE NARRATIVE OF STIGMATIZED ANDREW DETMER IN JOSH TRANK’S CHRONICLE.
Mayda Monica Paramita, ; THE CONSTRUCTION OF VIRTUAL IDENTITY IN KOREAN CELEBRITY YAOI ROLEPLAYER TWITTER PROFILE.
Miranda Naomi Tambunan, 121311233089 ; SIBLING DEATH AND THE OPERATION OF EROS AND THANATOS IN LENNIE WALKER’S CHARACTER IN JANDY NELSON’S NOVEL THE SKY IS EVERYWHERE.
Muhammad Albuan Elhan, 121211231125 ; CODE SWITCHING USED BY DEDDY CORBUZIER AS THE PRESENTER OF HITAM – PUTIH TALK SHOW TELEVISION PROGRAM AT TRANS 7.
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NADHIFAH FAIRUZ IZDIHARANNISA, 121211231006 ; THE MEANING OF “STAR” DEPICTED IN NEIL GAIMAN’S NOVEL STARDUST.
NARARIA HAGNYANAWATI, 121511223020 ; THE IDENTITY OF KAMPUNG CODE ROMO MANGUN.
NATASHA AUDINA SIREGAR, 121311233101 ; “THAT BUNNY RABBIT IS DEAD”: A FEMINIST STUDY ON THE REPRESENTATION OF YOUNG ADULT WOMAN THROUGH THE PROTAGONIST OF LOCKHART’S THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS.
NIDA NABILAH KUSUMAWARDAH, 121311233138 ; WOMEN LINGUISTIC FEATURES USED BY FEMALE EMPLOYER AND FEMALE EMPLOYEE IN THE DEVIL WEARS PRADA MOVIE.
NINO GREATI ANO, 121311233149 ; THERAPEUTIC LANGUAGING FUNCTIONS USED IN HYPNOTHERAPIST’S DISCOURSE.
NOVANDA RATIH ANNURI, 121311233003 ; WOMEN OBJECTIFICATION IN REALITY TELEVISION SHOW, ASIA’S NEXT TOP MODEL SEASON 4.
NOVIA DWI HANDAYANI, 121311233025 ; THE REPRESENTATION OF INDONESIA THROUGH TOURISM IN WONDERFUL INDONESIA: FINDING INDONESIA TV COMMERCIAL.
NURUL ANISA, 121311233099 ; CHALLENGING THE STEREOTYPE OF NATIVE AMERICAN: A NEW HISTORICIST PERSPECTIVE IN ALEJANDRO G. IÑÁRRITU’S FILM THE REVENANT .
Nur Assyafiiyah Indriani S., 121411223006 ; CODE SWITCHING PERFORMED BY AGNES MONICA AS ONE OF THE JUDGES IN THE VOICE INDONESIA SEASON 2.
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ONY AYU DAMAYANTI, 121311233020 ; THE DEMASCULINIZATION OF ARIF IN DUTA CUBIT MEMES: A CAMERA LUCIDA STUDY.
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PANDU DHARMA PUTRA, 121311233109 ; SYNTACTIC FEATURES OF REGISTER ON PHANTASY STAR ONLINE 2 CHAT.
PANGKON ABI PRATAMA, 121311233151 ; THREE COMMONPLACES OF NARRATIVE IN JANIS ROSALITA’S LIFE STORY.
PATRICIA LIANA, 121311233083 ; ECOLOGICAL IMPERIALISM REPRESENTATION IN THE LORAX FILM.
POPPY AULIA GHAISANI, 121311233103 ; THE IMPACT OF GRIEF TOWARDS BARTHOLOMEW’S LIFE IN MATTHEW QUICK’S NOVEL “THE GOOD LUCK OF RIGHT NOW”.
PRIMA WIDIANI, 121211232096 ; THE REPRESENTATION OF HETERONORMATIVE SOCIETY IN THE IMITATION GAME FILM .
PUTRI LUKI APRILIA, 121511223018 ; THE COMPARISON OF WORD-FORMATION PROCESSES ON UNIQUE WORDS IN SONG LYRICS IN 1999 AND IN 2013: A CASE STUDY OF EMINEM ON THE SLIM SHADY LP ALBUM AND THE MARSHALL MATHERS LP 2 ALBUM.
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QONITAH, 121311233156 ; THE CONSUMPTION OF HALAL HIJAB BY MUSLIM WOMEN: A Case Study of Zoya Hijab Customer of Zoya Diponegoro.
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RACHMA KUSUMAPUTRI, 121311233058 ; ENVIRONMENTAL AWARENESS IN KATE DICAMILLO’S THE MAGICIAN’S ELEPHANT.
RARAS CAHYANING HAPSARI, 120912022 ; WOMEN REPRESENTATIONS IN GAME OF THRONES.
RENI FERONIKA SILAEN, 120912187 ; THE REPRESENTATION OF SOCIAL CLASS IN UPSIDE DOWN FILM.
RIRIN MEYLINDA, 121511223001 ; CELEBRIFICATION OF YouTuber ON YouTube CHANNEL: A CASE STUDY OF HAN YOO RA’S VLOG.
RISMA ARY PRIMAADI, 121311233116 ; THE REPRESENTATION OF PHALLIC FIXATION THROUGH CAMILLE CHARACTER IN GILLIAN FLYNN’S SHARP OBJECTS.
RIZKA AZILA, 121012164 ; HEGEMONY ON DIVERGENT CLASS SYSTEM : THE SUBVERSIVE ACT OF ERUDITE TOWARDS THE HEGEMONY OF ABNEGATION.
ROY RAMADHAN, 121311233131 ; IMPOLITENESS STRATEGIES OF CUSTOMERS’ COMPLAINT TWEETS IN @askairasia.
Resti Fauziah Fajarini, 121112171 ; SPEECH ACTS ANALYSIS IN MATA NAJWA TALK SHOW EPISODE TRI RISMAHARINI (WALI PILIHAN KOTA) BROADAST ON FEBRUARY 12TH,2014.
Risvi Paudwal Parvati, 121211233039 ; THE DEPICTION OF WOMEN EMPOWERMENT AMONG BUSINESS WOMEN AND DOMESTIC WOMEN PORTRAYED IN THE SRIKANDI PROJECT COMMUNITY’S MEMBERS.
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SAFFANAH FATHIN, 121311233086 ; SLIPS OF THE EAR IN PERCEIVING INDONESIAN EXPERIENCED BY THE STUDENTS OF FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA IN QUIET SITUATION.
SANDHYA BAYU PRASIDDHA, 121511223040 ; CODE-SWITCHING PERFORMED BY ANDOVI DA LOPEZ IN THE VLOG ENTITLED “SHANGHAI NBA VLOG”.
SARAH NABILA, 121511223022 ; AN ANALYSIS OF CODE-SWITCHING USED BY TEACHERS IN BILINGUAL CLASS AT SMA MUHAMMADIYAH 2 SURABAYA.
SATRIO NOOR ROIS, 121511223019 ; THE ANALYSIS OF EXTRALINGUISTIC CULTURE-BOUND REFERENCES IN THE INDONESIAN SUBTITLES OF THE HUNDRED FOOT JOURNEY MOVIE.
SEPTIAN NUR TRI RACHMADI, 121511223043 ; Bald On Record Strategy Used by Characters in “Three Kingdoms” Movie.
SULVIANTI TANIA SARI, 121112119 ; THE REPRESENTATION OF MASCULINITY IN MEN'S HEALTH MAGAZINE'S COVER.
Savira Aprilita Ananda, 121311233057 ; THE PORTRAYAL OF A BLADELESS HEROINE IN ALICE HOFFMAN’S THE DOVEKEEPERS: AN ARCHETYPAL STUDY.
Setya Mukti Mahanani, 121211232089 ; A STUDY OF METAPHOR IN THE INDONESIAN TOURISM VIDEOS ADVERTISEMENT OF WONDERFUL INDONESIA.
Shabrina Ayu Febrianne, 121311233095 ; HIDDEN PECULIARITY OF THE MAIN CHARACTER IN MARRISA MEYER’S CINDER: NARRATOLOGY APPROACH.
Siti Qoni Atul Lutfiyah, 121211231119 ; ILLOCUTIONARY ACTS OF SAID AQIL SIROJ’S RELIGIOUS SPEECH ON PEMBACAAN 1 MILYAR SHOLAWAT NARIYAH AT PESANTREN LIRBOYO KEDIRI.
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TANIA MEITAFASIANA, 121211233064 ; THE CONCEPT OF BEAUTY IN RAHASIAGADIS ACCOUNT IN INSTAGRAM: A MULTIMODAL ANALYSIS.
THERESIA COSTA RICA P., 121411223003 ; ONYESONWU’S RESISTANCE AGAINST RACIAL AND GENDER OPPRESSION IN NNEDI OKORAFOR’S WHO FEARS DEATH: A POSTCOLONIAL-FEMINIST CRITICISM.
TRIANDA AGNI WIKANTYAS, 121511223027 ; THE STUDY OF ILLOCUTIONARY ACTS IN BARACK OBAMA’S CAMPAIGN SPEECHES.
Tentrin Anastasyas Soffat, 121311233055 ; DESIRE AND CURIOSITY OF THE CHARACTERS IN JEANNE BIRDSALL’S THE PENDERWICKS: A SUMMER TALE OF FOUR SISTER’S, TWO RABBITS, AND VERY INTERESTING BOY.
Testyan Aripakso, 121411223001 ; SWEAR WORDS USED BY HOST CHEF ON REALITY SHOW “HELL’S KITCHEN U.S.”.
Tut Wuri Handayani, 121511223032 ; SPEECH FUNCTIONS USED BY THE FOLLOWERS IN THE TWEETS OF @e100ss TWITTER ACCOUNT.
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VERA AFRILIANI, 121511223030 ; CONVERSATIONAL IMPLICATURE IN TONIGHT SHOW OF TRAVELLING EPISODES.
VINDA PUSPITA VALANDINI, 121211233009 ; THE PORTRAYAL OF WORKING WOMEN IN GOGIRL! MAGAZINE’S CAREER COACH RUBRIC: SARA MILLS’ DISCOURSE ANALYSIS.
VITA AYU ANGGRAENI, 121311233119 ; JESUS’ PORTRAYAL THROUGH YESHUA IN LAST DAYS IN THE DESERT ; MOVIE: SEMIOTICS APPROACH.
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WURI RETNO MARTANI, 121511223029 ; THE PORTRAYAL OF HANNAH’S STRUGGLE IN FACING BULLYING IN JAY ASHER’S THIRTEEN REASONS WHY A NEW CRITICISM STUDY.
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YOGA SINATRIA PUTRA, 120912184 ; THE PORTRAYAL OF IMPERIALISM IN PACIFIC RIM MOVIE.
YULINDA SUTANTIANI, 121311233126 ; SPEECH CONVERGENCE STRATEGIES USED BY SELLERS TO BUYERS AT WONOKITRI TRADITIONAL MARKET.
YUSRINA DINAR PRIHATIKA, 121511223008 ; WERNER’S ATTEMPTS TO OVERCOME HIS GUILTY FEELING IN ANTHONY DOERR’S ALL THE LIGHT WE CANNOT SEE.
Yasya Ghaida Nestiananta, 121311233037 ; THE PORTRAYAL OF POWER RELATION IN FILM SNOWPIERCE: A FOUCAULDIAN STUDY.
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ZAMHARIROTUL AF’IDAH, 121311233027 ; THE PERCEPTION OF FIRST-YEAR ENGLISH DEPARTMENT STUDENTS AT UNIVERSITAS AIRLANGGA TOWARD THE USE OF DUOLINGO APPLICATION FOR LEARNING ENGLISH.
ZIKKA IMANDIAZ AKBAR, 121511223044 ; THE REPRESENTATION OF ORIENTALISM IN TODD PHILLIPS’ THE HANGOVER PART II ;THE MOVIE.
ADAM AFIF MOLL, 121211233032 ; CONSUMPTION PATTERN IN DOTA 2 TRADE CENTER INDONESIA: A VIRTUAL ETHNOGRAPHY STUDY.
ADHI MISTAR, 121012139 ; GRAMMATICAL COHESION DEVICES USED IN NEWS ARTICLE ABOUT JOKO WIDODO IN THE JAKARTA POST ONLINE NEWSPAPER.
ADHITYA WIJAYA, 121112086 ; THE REPRESENTATION OF NATIONALISM SPIRIT THROUGH INDONESIA’S NATION BRANDING IN KAPAL API COFFEE COMMERCIAL SECANGKIR SEMANGAT UNTUK INDONESIA VERSION (2011): A SEMIOTIC STUDY.
AFIF LUTHFI WALIYULLAH, 121012161 ; THE USE OF COHESIVE DEVICES IN ARTICLES ABOUT JOKO WIDODO’S POLICY ON DEATH PENALTY PUBLISHED IN KOMPAS.COM NEWS PORTAL.
AGNES LEONA, 121211231040 ; MAN’S BODY ON THE LINE: MALE OBJECTIFICATION IN MAGIC MIKE (2012).
AJENG KARINANZA RAMADHINA, 121211232105 ; AN ANALYSIS OF REQUEST STRATEGIES USED BY BUYERS DURING BARGAINING AT PASAR KENCONG JEMBER.
ALIF NURWAHYUNI, 121211233050 ; Teacher Talk And Student Talk In English Class In Grade Six Of International Class Program (Icp) In Al-Munawwarah Islamic Elementary School, Pamekasan, Madura.
AMIROH DINIAH, 121411223005 ; CODE SWITCHING PRACTICED BY ARABIC DESCENDANTS IN KALIMAS UDIK AMPEL SURABAYA.
ANA TIRTASARI, 121211233069 ; THE SPEECH FEATURES OF DIFFERENT AGE GROUPS IN FEMALE MADURESE-INDONESIAN BILINGUAL COMMUNITY IN BANGKALAN, MADURA.
ANISAH FATHIROH, 121211232106 ; THE CELEBRIFICATION OF POLITICIAN ON INSTAGRAM: A CASE STUDY OF @RIDWANKAMIL.
APRILYA INDAH R., 121211232011 ; WOMEN STEREOTYPES REPRESENTED BY SONG JI HYO IN RUNNING MAN KOREAN VARIETY SHOW.
ASIK PUTRI AYUSARI RATNANINGSIH, 121112023 ; THE CONCEPT OF BEAUTY IN LORD BYRON’S POEMS SHE WALKS IN BEAUTY AND THERE BE NONE OF BEAUTY’S DAUGHTERS: A READER RESPONSE STUDY ON ENGLISH DEPARTMENT STUDENTS OF FACULTY OF HUMANITIES OF UNIVERSITAS AIRLANGGA.
ASTRIED VIRDHA ARDHIATYHARSONO, 121211233049 ; DEFINING A HERO: AN ARCHETYPAL STUDY ON THE CHARACTER OF KARNA IN R. A. KOSASIH’S MAHABHARATA COMIC SERIES (2000 – 2002).
ATHAYA PRITA BELIA, 121211232099 ; THE PORTRAYAL OF UNDERMINING POWER IN JAMES DASHNER’S THE MAZE RUNNER : A FOUCAULDIAN STUDY.
AZMI KARTIKASARI, 121112127 ; THE PORTRAYAL OF PARENT-CHILD DIASPORIC IDENTITY IN AN NA’S NOVEL A STEP FROM HEAVEN: A POST COLONIAL STUDY.
Abee Hanantan, 121311233117 ; COHESIVE DEVICES IN ARTICLE ABOUT ISIS RAID IN JAKARTA PUBLISHED IN THE NEW YORK TIMES ONLINE MEDIA.
Alberta Natasia Adji, 121211231005 ; THE SENSIBLE SISTER FORESEES EVERYTHING: A HYPERTEXTUAL STUDY IN GRIMM BROTHERS’ THE WORN-OUT DANCING SHOES AND JULIET MARILLIER’S WILDWOOD DANCING.
Alda Fakhrizal Khafidzy, 121211223004 ; FEMININITY AND MASCULINITY PORTRAYED BY THE MAIN FEMALE CHARACTER IN THE MORTAL INSTRUMENTS: CITY OF BONES (2007) NOVEL.
Andri Nova Sanjaya, 121211231129 ; A DIACHRONIC CORPUS BASED ANALYSIS OF ADJECTIVAL COLLOCATES OF [GAY] AND [LESBIAN] IN AMERICAN ENGLISH FROM 1990-2015.
Anitria Widyastuti, 121411223033 ; EXCHANGE VALUE OF SYAR’I IDENTITY PERFORMED BY THE DRIVERS OF PT OJEK SYAR’I INDONESIA BASED IN SURABAYA.
Annishah, 121211231124 ; A CASE STUDY IN SPEECH ACCOMMODATION USED BY ENGLISH DEPARTMENT STUDENTS OF UNIVERSITAS AIRLANGGA ORIGINATED FROM KARESIDENAN KEDIRI TOWARD SURABAYA JAVANESE VARIETY.
Armando Diaz Mansyur, 121112116 ; AN ANALYSIS OF SWEAR WORDS UTTERED BY POINT BLANK GAME ONLINE PLAYERS.
Arsita Diningrum, 121411223025 ; CONVERSATIONAL IMPLICATURE IN “SARAH SECHAN” TALK SHOW OF GO GREEN EPISODES.
Astrid Vita Prilya, 121112075 ; THE POTRAYAL OF PI’S SURVIVAL IN YANN MARTEL’S LIFE OF PI A NEW CRITICISM STUDY.
Azalea Nadya Putri, 121311223014 ; ALLUSION TRANSLATION STRATEGIES: A CASE STUDY IN THE INDONESIAN TRANSLATION OF COMEDY MOVIE ENTITLED TED.
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BANGGA ARYO PRATOMO, 121411223015 ; POLITENESS STRATEGIES USED BY THE PARTICIPANTS OF PAPA MINTA SAHAM CONVERSATION.
BELATRIXTA NEGARA, 121211231123 ; SEMANTIC CHANGES AND SEMANTIC FEATURES FOUND IN INSTAGRAM DICTIONARY: A CASE STUDY ON 8FACTDICTIONARY.
BIMO WICAKSONO EFENDA HUTAHAEAN, 121411223010 ; THE REGISTER USED IN "PAK YEK" AUTO REPAIR SHOP SURABAYA.
Bahrudin Nur Aziz Zakaria, 121211231032 ; POLITENESS STRATEGIES USED BY SANTRI (MALE STUDENTS) AND USTADZ (MALE TEACHERS) IN THEIR INTERACTION AT PESANTREN SALAF ALQURAN SHOLAHUL HUDA AL-MUJAHIDIN MALANG.
Bayu Prakasa, 121112045 ; BACK TO AFRICA MOVEMENT IN LORRAINE HANSBERRY’S DRAMA A RAISIN IN THE SUN: A NEW HISTORICISM STUDY.
Beryl Septiani Adji, 121211232002 ; THE YOUNG PROTAGONISTS’ SELF-RELIANCE IN BEATRIX POTTER’S THE TALE OF PETER RABBIT AND NANCY FARMER’S THE HOUSE OF THE SCORPION: AN INTERTEXTUAL STUDY.
Bontisesari, 121211231013 ; LANGUAGE AND SEXUALITY: AN APPRAISAL ANALYSIS ON YOUNG HOMOSEXUALS’ COMING OUT STORIES IN MELELA.ORG.
Brian Fajar Mauladhika, 121112068 ; THE REPRESENTATION OF MASCULINITY IN “TOP COFFEE INSPIRASI FEATURING IWAN FALS” COMMERCIAL: A SEMIOTICS STUDY.
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CAPRITIA DIRGANTARI, 121211233031 ; BLACK PRIDE IN MULE BONE: A COMEDY OF NEGRO LIFE BY ZORA NEALE HURTON AND LANGSTON HUGHES: A NEW HISTORICISM STUDY.
CLAUDIO SUWANDI, 121211232049 ; SUPER BLACK ARCHETYPE ON NICK FURY CHARACTER IN THE AVENGERS ;FILM.
Cicilia Deandra Maya Putri, 121211233033 ; A STUDY OF CORRECTIVE FEEDBACK AND L2 LEARNER’S UPTAKE IN ENGLISH GRAMMAR CLASS.
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DEVITA PUSPA DEWI, 121411223029 ; THE IMPLICATION OF LESBIAN CONTINUUM IN LAOTONG RELATIONSHIP IN LISA SEE'S NOVEL SNOW FLOWER AND THE SECRET FAN.
DIAH AYU OKIYANTI, 121211233051 ; LARA CROFT’S SENSUALITY IN TOMB RAIDER 2013: AN AUDIENCE STUDY ON HETEROSEXUAL MALE GAMERS IN SURABAYA GAMERS COMMUNITY.
DINDA NURISKA WIDYANA, 121211231117 ; THE PORTRAYAL OF WOMEN THROUGH THE BEAUTY MYTH CONCEPT ON FEMALE CHARACTER IN ALL ABOUT THAT BASS MUSIC VIDEO BY MEGHAN TRAINOR.
DINDA PRADHITA MAHARARAS, 121211231008 ; THE LANGUAGE ATTITUDES OF MALE SURABAYANESE YOUTH TOWARD LINGUISTIC LANDSCAPES WRITTEN IN INDONESIAN, JAVANESE, AND ENGLISH.
DWI LARAS PRASETIO, 121012052 ; THE STUDY OF ESCH’S NEGOTIATION TOWARD TRADITIONAL GENDER ROLES IN JESMYN WARD’S SALVAGE THE BONES.
DWI MEI SUHARTANTI, 121211232086 ; THE IMPACT OF TRAUMATIC CHILDHOOD EXPERIENCE ON MARTIN VANGER’S SADISTIC PERSONALITY IN STIEG LARSSON’S THE GIRL WITH THE DRAGON TATTOO: A PSYCHOANALYTIC CRITICISM.
Devany Yuzsa Huznadya Putri, 121112103 ; THE PERSPECTIVE OF MARCUS LUTTRELL AS THE AUTHOR AND COLONIZER IN LONE SURVIVOR NOVEL: A POSTCOLONIAL AUTOBIOGRAPHY STUDY.
Dhahayu Nabila Adyani, 121112142 ; THE IDEAL LEADER REPRESENTED ON MEMES PRINTED #SAVEHAJILULUNG ON TWITTER.
Dika Febryan Kawengian, 121112145 ; THE REPRESENTATION OF WOMEN IN DETEKSI INSTAGRAM ACCOUNT @deteksi_jp.
Dika Prestiawam, 121211231037 ; THE REPRESENTATION OF AFRICAN AMERICAN WOMEN IN BEYONCE’S FLAWLESS MUSIC VIDEO ;.
Dita Dewi Palupi, 121211232014 ; CREATING A KOMERING DICTIONARY BASED ON THE SEMANTIC DOMAIN APPROACH: A CASE STUDY ON THE SEMANTIC DOMAIN OF DAILY LIFE.
Donna Rizky Iskandar, 121112090 ; One Choice Can Transform You: Beatrice’s Choices of Her Life in Gaining Her Identity in Veronica Roth’s Divergent.
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EKO BUDIAWAN, 121012160 ; THE REPRESENTATION OF WOMAN IN 3 –ALWAYS ON ADVERTISEMENT BEBAS KINI SEMAKIN NYATA (WOMAN VERSION).
EMHA NOVEL MAULANA, 121311223003 ; RESOLVING THE NATURE IN JEANNE DUPRAU'S NOVEL THE CITY OF EMBER : NEW CRITICISM APPROACH.
Elok Purnamasari, 120810087 ; The Struggle for Self-Existence of Lionel Essrog in Jonathan Lethem’ Motherless Brooklyn: A New Criticism.
Elok Purnamasari, 120810087 ; The Struggle for Self-Existence of Lionel Essrog in Jonathan Lethem’ Motherless Brooklyn: A New Criticism.
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FADILAH, 121211231010 ; DECONSTRUCTING HUMAN BEINGS’ NATURE IN LOIS LOWRY’S THE GIVER.
FAIRUZ SU’DA, 121211232098 ; SOCIETY’S IGNORANCE TOWARDS ADDICTS’ PREDICAMENT IN J. K. ROWLING’S THE CASUAL VACANCY: A DYNAMIC STRUCTURALISM STUDY.
FANANDIA FARADANA ADENANSI, 121411223018 ; GRINDRIS' VIRTUAL IDENTITY: A CASE STUDY IN GANG PATAYA AND AMPEL SURABAYA.
FEBRY FORTUNA, 121112007 ; THE SOCIETY OPPRESSION IN CONSTRUCTING THE BEAUTY STANDARD: A FEMINIST READING OF SCOTT WESTERFELD’S NOVEL UGLIES.
FIKRI AL GHUFRON, 121211232111 ; A STUDY OF FLOUTING GRICE’S MAXIMS OF COOPERATIVE PRINCIPLE BY MALE AND FEMALE PRESENTERS IN “PAGI – PAGI” TALKSHOW (BROADCASTED ON JUNE 9TH 2015).
FIRDAUSI PRAJATA WIDYASWARI, 121411223035 ; EROS AND THANATOS INSTICTS OF TWINS CHARACTER IN THE SKELETON TWINS MOVIE .
FITRI AMALIA WARDANI, 121411223032 ; A CULTURAL STUDY OF ALCOHOLISM REPRESENTATION IN MUSIC VIDEO CHANDELIER BY SIA FURLER.
FRISCHA ADITYA FITRIYANTI, 121411223014 ; TRANSLATION ERRORS ON LABEL COLLECTIONS AT MESEUM ANGKUT BATU, MALANG.
Faustia Kartika Sari, 121211231011 ; THE USE OF COHESIVE DEVICES IN AN ARTICLE ABOUT BALI NINE PUBLISHED IN ONLINE NEWSPAPER “THE AUSTRALIAN”.
Firza Aidil Ardiansyah, 120912188 ; AUDIENCE RESEARCH OF REALITY TV PROGRAM: ORANG – ORANG PINGGIRAN IN GUBENG, KELURAHAN PUCANG SEWU.
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GAMMA REVIRO ARDY, 121211233026 ; ANGELA MITHCELL’S FRACTURED IDENTITY IN WILLIAM GIBSON’S COUNT ZERO.
Gabrielle Pauladica, 121112005 ; STUDY OF CLASSISM AND CLASS-STRUGGLE IN CHARLES JOHNSON’S DREAMER.
Galang Hari Putra, 121112147 ; THE REPRESENTATION OF MASCULINITY THROUGH “COWO” IN U MILD ADVERTISEMENT “INI BARU COWO U MILD” NGANTOR VERSION: A SEMIOTIC ANALYSIS.
Gelar Nanggala Wahyu Sagara Putra, 121211232007 ; The Construction of Masculinity on the Front Cover of Men's Magazine: A Semiotic Analysis on the Front Cover of DAMAN Magazine.
Gondo Handianto, 121112022 ; THE RESISTANCE OF GALILEO GALILEI AGAINST THE CHURCH’S DOMINATION IN BERTOLT BRECHT’S THE LIFE OF GALILEO.
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HITO YOSHIDA, 121211231121 ; WOMANHOOD IN AN INDIAN TV SERIES: AN AUDIENCE STUDY ON JODHA AKBAR TV SERIES.
HUDLROTUR RIZQIYYATUS S., 121211233048 ; AN AUDIENCE STUDY ON THE PORTRAYAL OF A TURKISH QUEEN (HURREM SULTAN) IN ABAD KEJAYAAN TV SERIES : CASE STUDY IN DUSUN TAMBAKSARI.
Hanggono Wibilaksono, 121112109 ; WOMAN REPRESENTATION ON FOREPLAY NIGHT CLUB ADVERTISEMENTS: A SEMIOTICS STUDY.
Hesti Maulidya, 121411223022 ; JOMBLO CONSTRUCTION IN THE MEMES OF DAGELAN INSTAGRAM ACCOUNT: A SEMIOTIC ANALYSIS.
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IKA NUR RACHMAWATI, 121411223002 ; TRANSLATION ERRORS IN BILINGUAL BOOKS OF INDONESIAN FOLKLORES.
INKE YUDHITIA SAVITRI, 121311223010 ; Eleanor's Responses toward Domestic Violence in Rainbow Rowell's Eleanor & Park: Feminist Criticism in Children literature.
INNEKE KUSUMAWATI, 121211223018 ; THE IMPACT OF PARENTS ABSENCE UNDERGONE BY THE MAIN CHARACTERS IN BESTY BYARS’S THE SUMMER OF THE SWANSS.
INTAN SUKMA DEWI, 121211233070 ; THE REPRESENTATION OF GENDER STEREOTYPE IN RELATION TO VERB USAGE IN DISNEY ANIMATED MOVIES.
INTAN YOLANDA HUTAJULU, 121211231020 ; MISHEARINGS EXPERIENCED BY EARLY INDONESIAN ADOLESCENTS IN PERCEIVING SPEECH WITH DIFFERENT RATES.
Ikhlasul Amal, 121112099 ; THE REPRESENTATION OF MASCULINITY FOR THE IDEAL INDONESIAN LEADER IN L.A. LIGHTS COMMERCIAL VIDEO “CARI YANG PAS” VERSION: A SEMIOTIC STUDY.
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LUCKY PRASETYA AJI, 120810066 ; THE IDENTITY CONSTRUCTIONS IN TELKOMSEL ADVERTISEMENT (Kartu Halo FIT 125, SIMPATI dancelikeAgnes, Kartu AS PlayMania).
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M Septian Eka Budi S, 121112042 ; HYBRID MASCULINITY CONSTRUCTION IN @menandcoffee INSTAGRAM ACCOUNT.
M. Ilham Aryaduta, 121211233035 ; CODE-SWITCHING USED IN FINAL DOTA 2 AGES (ASEAN GAMES FOR ESPORTS) 2016 INDONESIA QUALIFIER COMMENTARY.
MAHARANI KARTIKA RAHMI, 121112128 ; THE REPRESENTATION OF LUCY AS TOUGH WOMAN IN LUC BESSON’S LUCY .
MAULIDA INTAN KEMALA SARI, 121211233027 ; LIVING IN AN IDEAL WORLD: EXPLORING WHITE SUPREMACY AND COLONIZATION THROUGH THE SIMS 4 NON-WHITE PLAYERS’ EXPERIENCE IN THE SIMS 4 INDONESIA GAME COMMUNITY.
MELLYA JUNITA ULFA, 121211231003 ; THE INFLUENCE OF TOTAL PHYSICAL RESPONSE TOWARDS STUDENTS’ LISTENING SKILL TO THIRD GRADE STUDENTS OF MI SABILILLAH SAMPANG-MADURA.
MILAWATY, 121211232101 ; THE REPRESENTATION OF INDONESIA IN AN AUSTRALIAN NEWSPAPER SYDNEY MORNING HERALD ONLINE 2015 COVERING THE CASE OF ANDREW CHAN AND MYURAN SUKUMARAN‟S DEATH PENALTY: A CRITICAL DISCOURSE ANALYSIS.
MOHAMMAD FACHRI ALFIAN, 121411223012 ; THE PORTRAYAL OF AN INDEPENDENT WOMAN IN MALALA YOUSAFZAL AND CHRISTIMA LAMB'S : MEMOIR: I AM MALALA.
Maria Imaculata Jessica M, 121211231001 ; THE ACADEMIC ARTICLE WORD LIST IN SOCIAL SCIENCES AND PHYSICAL SCIENCES JOURNAL ARTICLS.
Marina Pratiwi, 121211233067 ; AUDIENCE RESPONSES TOWARD POLRI’S FIGURE’S ON 86 REALITY SHOW NET-TV.
Masandra Kukuh Bayu Firmansyah, 121411223004 ; CYBORG ANXIETY IN TRANSCENDENCE FILM .
Maya Kurnia Murti, 121211233059 ; THE ACADEMIC ARTICLE WORD LISTS IN HEALTH SCIENCES AND LIFE SCIENCES JOURNALS.
Moh. Luki Asrofi, 121112129 ; Slips of the Tongue Produced by Prabowo’s Witnesses in the Constitutional Court.
Muhammad Azmi Adhim, 121211231002 ; PETER MILLER'S AND ALFRED OSTER'S DENIALS DEPICTED IN FREDERICK FORSYTH'S NOVEL THE ODESSA FILE: A PSYCOANALYSIS STUDY.
Mutiara Rizky Arisandy, 121112065 ; TRAPPED IN THE FALSE CONSCIOUSNESS: A MARXIST CRITICISM IN LEVY’S THE INTERNSHIP FILM ;.
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NABILA ZUHROH TERANANDA, 121112026 ; JACK’S EFFORT TO OVERCOME HIS SOCIAL PHOBIA AFTER HIS GREAT ESCAPE IN EMMA DONOGHUE’S ROOM : A NEW CRITICISM STUDY.
NAUFAL ARVY RASYIDIN, 121211231021 ; CONSUMPTION ACTIVITIES OF THE ORDER 66 INDONESIA STAR WARS FANS VIRTUAL COMMUNITY: A VIRTUAL ETHNOGRAPHY STUDY.
NESA KARINA PUTRI, 121211233046 ; A STUDY OF CONVERSATIONAL IMPLICATURES IN TETANGGA MASA GITU SITUATION COMEDY.
NITA SURYANTI, 121112082 ; THE ECOLOGICAL IMPERIALISM IN ISLAND OF THE BLUE DOLPHINS NOVEL BY SCOTT O’DELL: A POSTCOLONIAL ECOCRITICISM STUDY.
NUKY ANGGARIO, 121112064 ; An ANALYSISI OF LANGUAGE FUNCTIONS USED BY BUZZER JOKOWI ON TWITTER.
NUNUK PURWANTI, 120912206 ; THE USE OF ENGLISH COMIC STRIP AS A TEACHING MEDIUM TO ENHANCE THE ABILITY OF STORYTELLING OF STUDENTS IN “SMP ULUL ALBAB SIDOARJO” (A DESCRIPTIVE QUALITATIVE CASE STUDY).
NUR AINI, 121211231120 ; THE GENDER PERFORMATIVITY OF FEMALE PRESENTER IN "MY TRIP MY ADVENTURE" REALITY SHOW PROGRAM.
NUR RATIH AMBARSARI, 121211231016 ; THE STUDY OF REGISTER USED BY DOCTORS AND NURSES AT ADI HUSADA UNDAAN WETAN HOSPITAL SURABAYA.
NURINDAH AFRIANIS, 121411223016 ; POST-COLONIAL IDENTITY CRISIS AS NATIVE AND INDIAN DIASPORA IN USA SEEN THROUGH THE USE OF KRISHNAN'S LANGUAGE IN SHILPI SOMAYA GOWDA'S NOVEL SECRET DAUGHTER.
NURRI ULSPA KUNTHI PERMANA, 121211233063 ; FALSE WOMEN’S EMPOWERMENT: THE REPRESENTATION OF FEMININITY AND SUBORDINATION OF WOMEN TO MEN IN THEOLXINDONESIA COMMERCIALS“RUMAH TANGGA” VERSION (2014-2015).
Natasya R.I.S, 121211232092 ; THE NEW REPRESENTATION OF INDONESIAN MUSLIM BEAUTY THROUGH VIZZILY'S INSTAGRAM ACCOUNT:DISCOURSE ANALYSIS.
Novita Kurniawati, 121211232094 ; TRANSLATION TECHNIQUES OF ENGLISH PERSONAL PRONOUNS YOU AND I INTO INDONESIAN: A CASE STUDY ON PRIDE AND PREJUDICE MOVIE.
Nur Fita Sari, 121112076 ; THE HYBRIDIZATION OF MASCULINITY IN G-DRAGON’S CRAYON MOVIE VIDEO: A SEMIOTICS ANALYSIS.
Nurus Sholikha, 121211231118 ; THE REPRESENTATION OF BEAUTY MYTH OF INDONESIAN WOMEN IN WARDAH LIGHTENING BEAUTY BALM CREAM PRODUCT TELEVISION COMMERCIAL.
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OKTAVIANA TITAN I., 121211232093 ; MISHEARINGS EXPERIENCED BY INDONESIAN ADOLESCENCE IN PERCEIVING SPEECH WITH DIFFERENT RATES.
ORIZA PRASTY LESTARI, 121411223011 ; THE DEPICTION OF REPRESSION TRIGGERED BY TRAUMA OF BONE CHARACTER IN DOROTHY ALLISON'S BASTARD OUT OF CAROLINE.
OVRIZA DIEN KARTIKA, 121411223009 ; RACIAL OPPRESSION EXPERIENCES BY AFRICAN AMERICAN SLAVES IN HARRIETTE GILLEM ROBINET'S FORTY ACRES AND MAYBE A MULE.
Oktavianus Yeri Kristiawan, 121112025 ; THE CONSUMPTION OF ULTRAS CYBERXTREME AS IDENTITY CONSTRUCTION FOR ULTRAS FOOTBALL SUPPORTERS.
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PUTRI CORNEA PUASARI, 121211231009 ; THE POACHING POACHERS: A STUDY OF INFINITEYAOI FANFICTION CONSUMPTION IN ASIANFANFICS.COM BY MEMBERS OF “INSPIRIT SURABAYA”.
PUTRI RIZKA UTAMI, 121112036 ; THE NARRATOR’S TRAUMATIC EXPERIENCE IN NEIL GAIMAN’S THE OCEAN AT THE END OF THE LANE.
PUTRI WIJAYANTI, 121211232010 ; THE REPRESENTATION OF MASCULINITY IN INDOMIE KUAH TV COMMERCIAL NICHOLAS SAPUTRA EDITION.
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MUHAMMAD ALIFDIKA RAHMANDIANSYAH, ; AVELINE HEROINE’S JOURNEY IN UBISOFT’S ASSASSIN’S CREED: LIBERATION A POST-COLONIALISM STUDY.
MUHAMMAD REZA DHARMAWAN, ; WORD-FORMATION PROCESSES OF THE REGISTER USED BY JVAPE SHOPKEEPERS AND CUSTOMERS AT JVAPE SURABAYA.
MUHTADIN MUSTAFA, ; THE COMING-OF-AGE NARRATIVE OF STIGMATIZED ANDREW DETMER IN JOSH TRANK’S CHRONICLE.
Mayda Monica Paramita, ; THE CONSTRUCTION OF VIRTUAL IDENTITY IN KOREAN CELEBRITY YAOI ROLEPLAYER TWITTER PROFILE.
Miranda Naomi Tambunan, 121311233089 ; SIBLING DEATH AND THE OPERATION OF EROS AND THANATOS IN LENNIE WALKER’S CHARACTER IN JANDY NELSON’S NOVEL THE SKY IS EVERYWHERE.
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NADHIFAH FAIRUZ IZDIHARANNISA, 121211231006 ; THE MEANING OF “STAR” DEPICTED IN NEIL GAIMAN’S NOVEL STARDUST.
NARARIA HAGNYANAWATI, 121511223020 ; THE IDENTITY OF KAMPUNG CODE ROMO MANGUN.
NATASHA AUDINA SIREGAR, 121311233101 ; “THAT BUNNY RABBIT IS DEAD”: A FEMINIST STUDY ON THE REPRESENTATION OF YOUNG ADULT WOMAN THROUGH THE PROTAGONIST OF LOCKHART’S THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS.
NIDA NABILAH KUSUMAWARDAH, 121311233138 ; WOMEN LINGUISTIC FEATURES USED BY FEMALE EMPLOYER AND FEMALE EMPLOYEE IN THE DEVIL WEARS PRADA MOVIE.
NINO GREATI ANO, 121311233149 ; THERAPEUTIC LANGUAGING FUNCTIONS USED IN HYPNOTHERAPIST’S DISCOURSE.
NOVANDA RATIH ANNURI, 121311233003 ; WOMEN OBJECTIFICATION IN REALITY TELEVISION SHOW, ASIA’S NEXT TOP MODEL SEASON 4.
NOVIA DWI HANDAYANI, 121311233025 ; THE REPRESENTATION OF INDONESIA THROUGH TOURISM IN WONDERFUL INDONESIA: FINDING INDONESIA TV COMMERCIAL.
NURUL ANISA, 121311233099 ; CHALLENGING THE STEREOTYPE OF NATIVE AMERICAN: A NEW HISTORICIST PERSPECTIVE IN ALEJANDRO G. IÑÁRRITU’S FILM THE REVENANT .
Nur Assyafiiyah Indriani S., 121411223006 ; CODE SWITCHING PERFORMED BY AGNES MONICA AS ONE OF THE JUDGES IN THE VOICE INDONESIA SEASON 2.
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ONY AYU DAMAYANTI, 121311233020 ; THE DEMASCULINIZATION OF ARIF IN DUTA CUBIT MEMES: A CAMERA LUCIDA STUDY.
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PANDU DHARMA PUTRA, 121311233109 ; SYNTACTIC FEATURES OF REGISTER ON PHANTASY STAR ONLINE 2 CHAT.
PANGKON ABI PRATAMA, 121311233151 ; THREE COMMONPLACES OF NARRATIVE IN JANIS ROSALITA’S LIFE STORY.
PATRICIA LIANA, 121311233083 ; ECOLOGICAL IMPERIALISM REPRESENTATION IN THE LORAX FILM.
POPPY AULIA GHAISANI, 121311233103 ; THE IMPACT OF GRIEF TOWARDS BARTHOLOMEW’S LIFE IN MATTHEW QUICK’S NOVEL “THE GOOD LUCK OF RIGHT NOW”.
PRIMA WIDIANI, 121211232096 ; THE REPRESENTATION OF HETERONORMATIVE SOCIETY IN THE IMITATION GAME FILM .
PUTRI LUKI APRILIA, 121511223018 ; THE COMPARISON OF WORD-FORMATION PROCESSES ON UNIQUE WORDS IN SONG LYRICS IN 1999 AND IN 2013: A CASE STUDY OF EMINEM ON THE SLIM SHADY LP ALBUM AND THE MARSHALL MATHERS LP 2 ALBUM.
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QONITAH, 121311233156 ; THE CONSUMPTION OF HALAL HIJAB BY MUSLIM WOMEN: A Case Study of Zoya Hijab Customer of Zoya Diponegoro.
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RACHMA KUSUMAPUTRI, 121311233058 ; ENVIRONMENTAL AWARENESS IN KATE DICAMILLO’S THE MAGICIAN’S ELEPHANT.
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RENI FERONIKA SILAEN, 120912187 ; THE REPRESENTATION OF SOCIAL CLASS IN UPSIDE DOWN FILM.
RIRIN MEYLINDA, 121511223001 ; CELEBRIFICATION OF YouTuber ON YouTube CHANNEL: A CASE STUDY OF HAN YOO RA’S VLOG.
RISMA ARY PRIMAADI, 121311233116 ; THE REPRESENTATION OF PHALLIC FIXATION THROUGH CAMILLE CHARACTER IN GILLIAN FLYNN’S SHARP OBJECTS.
RIZKA AZILA, 121012164 ; HEGEMONY ON DIVERGENT CLASS SYSTEM : THE SUBVERSIVE ACT OF ERUDITE TOWARDS THE HEGEMONY OF ABNEGATION.
ROY RAMADHAN, 121311233131 ; IMPOLITENESS STRATEGIES OF CUSTOMERS’ COMPLAINT TWEETS IN @askairasia.
Resti Fauziah Fajarini, 121112171 ; SPEECH ACTS ANALYSIS IN MATA NAJWA TALK SHOW EPISODE TRI RISMAHARINI (WALI PILIHAN KOTA) BROADAST ON FEBRUARY 12TH,2014.
Risvi Paudwal Parvati, 121211233039 ; THE DEPICTION OF WOMEN EMPOWERMENT AMONG BUSINESS WOMEN AND DOMESTIC WOMEN PORTRAYED IN THE SRIKANDI PROJECT COMMUNITY’S MEMBERS.
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SAFFANAH FATHIN, 121311233086 ; SLIPS OF THE EAR IN PERCEIVING INDONESIAN EXPERIENCED BY THE STUDENTS OF FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA IN QUIET SITUATION.
SANDHYA BAYU PRASIDDHA, 121511223040 ; CODE-SWITCHING PERFORMED BY ANDOVI DA LOPEZ IN THE VLOG ENTITLED “SHANGHAI NBA VLOG”.
SARAH NABILA, 121511223022 ; AN ANALYSIS OF CODE-SWITCHING USED BY TEACHERS IN BILINGUAL CLASS AT SMA MUHAMMADIYAH 2 SURABAYA.
SATRIO NOOR ROIS, 121511223019 ; THE ANALYSIS OF EXTRALINGUISTIC CULTURE-BOUND REFERENCES IN THE INDONESIAN SUBTITLES OF THE HUNDRED FOOT JOURNEY MOVIE.
SEPTIAN NUR TRI RACHMADI, 121511223043 ; Bald On Record Strategy Used by Characters in “Three Kingdoms” Movie.
SULVIANTI TANIA SARI, 121112119 ; THE REPRESENTATION OF MASCULINITY IN MEN'S HEALTH MAGAZINE'S COVER.
Savira Aprilita Ananda, 121311233057 ; THE PORTRAYAL OF A BLADELESS HEROINE IN ALICE HOFFMAN’S THE DOVEKEEPERS: AN ARCHETYPAL STUDY.
Setya Mukti Mahanani, 121211232089 ; A STUDY OF METAPHOR IN THE INDONESIAN TOURISM VIDEOS ADVERTISEMENT OF WONDERFUL INDONESIA.
Shabrina Ayu Febrianne, 121311233095 ; HIDDEN PECULIARITY OF THE MAIN CHARACTER IN MARRISA MEYER’S CINDER: NARRATOLOGY APPROACH.
Siti Qoni Atul Lutfiyah, 121211231119 ; ILLOCUTIONARY ACTS OF SAID AQIL SIROJ’S RELIGIOUS SPEECH ON PEMBACAAN 1 MILYAR SHOLAWAT NARIYAH AT PESANTREN LIRBOYO KEDIRI.
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TANIA MEITAFASIANA, 121211233064 ; THE CONCEPT OF BEAUTY IN RAHASIAGADIS ACCOUNT IN INSTAGRAM: A MULTIMODAL ANALYSIS.
THERESIA COSTA RICA P., 121411223003 ; ONYESONWU’S RESISTANCE AGAINST RACIAL AND GENDER OPPRESSION IN NNEDI OKORAFOR’S WHO FEARS DEATH: A POSTCOLONIAL-FEMINIST CRITICISM.
TRIANDA AGNI WIKANTYAS, 121511223027 ; THE STUDY OF ILLOCUTIONARY ACTS IN BARACK OBAMA’S CAMPAIGN SPEECHES.
Tentrin Anastasyas Soffat, 121311233055 ; DESIRE AND CURIOSITY OF THE CHARACTERS IN JEANNE BIRDSALL’S THE PENDERWICKS: A SUMMER TALE OF FOUR SISTER’S, TWO RABBITS, AND VERY INTERESTING BOY.
Testyan Aripakso, 121411223001 ; SWEAR WORDS USED BY HOST CHEF ON REALITY SHOW “HELL’S KITCHEN U.S.”.
Tut Wuri Handayani, 121511223032 ; SPEECH FUNCTIONS USED BY THE FOLLOWERS IN THE TWEETS OF @e100ss TWITTER ACCOUNT.
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VERA AFRILIANI, 121511223030 ; CONVERSATIONAL IMPLICATURE IN TONIGHT SHOW OF TRAVELLING EPISODES.
VINDA PUSPITA VALANDINI, 121211233009 ; THE PORTRAYAL OF WORKING WOMEN IN GOGIRL! MAGAZINE’S CAREER COACH RUBRIC: SARA MILLS’ DISCOURSE ANALYSIS.
VITA AYU ANGGRAENI, 121311233119 ; JESUS’ PORTRAYAL THROUGH YESHUA IN LAST DAYS IN THE DESERT ; MOVIE: SEMIOTICS APPROACH.
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WURI RETNO MARTANI, 121511223029 ; THE PORTRAYAL OF HANNAH’S STRUGGLE IN FACING BULLYING IN JAY ASHER’S THIRTEEN REASONS WHY A NEW CRITICISM STUDY.
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YOGA SINATRIA PUTRA, 120912184 ; THE PORTRAYAL OF IMPERIALISM IN PACIFIC RIM MOVIE.
YULINDA SUTANTIANI, 121311233126 ; SPEECH CONVERGENCE STRATEGIES USED BY SELLERS TO BUYERS AT WONOKITRI TRADITIONAL MARKET.
YUSRINA DINAR PRIHATIKA, 121511223008 ; WERNER’S ATTEMPTS TO OVERCOME HIS GUILTY FEELING IN ANTHONY DOERR’S ALL THE LIGHT WE CANNOT SEE.
Yasya Ghaida Nestiananta, 121311233037 ; THE PORTRAYAL OF POWER RELATION IN FILM SNOWPIERCE: A FOUCAULDIAN STUDY.
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ZAMHARIROTUL AF’IDAH, 121311233027 ; THE PERCEPTION OF FIRST-YEAR ENGLISH DEPARTMENT STUDENTS AT UNIVERSITAS AIRLANGGA TOWARD THE USE OF DUOLINGO APPLICATION FOR LEARNING ENGLISH.
ZIKKA IMANDIAZ AKBAR, 121511223044 ; THE REPRESENTATION OF ORIENTALISM IN TODD PHILLIPS’ THE HANGOVER PART II ;THE MOVIE.
ADAM AFIF MOLL, 121211233032 ; CONSUMPTION PATTERN IN DOTA 2 TRADE CENTER INDONESIA: A VIRTUAL ETHNOGRAPHY STUDY.
ADHI MISTAR, 121012139 ; GRAMMATICAL COHESION DEVICES USED IN NEWS ARTICLE ABOUT JOKO WIDODO IN THE JAKARTA POST ONLINE NEWSPAPER.
ADHITYA WIJAYA, 121112086 ; THE REPRESENTATION OF NATIONALISM SPIRIT THROUGH INDONESIA’S NATION BRANDING IN KAPAL API COFFEE COMMERCIAL SECANGKIR SEMANGAT UNTUK INDONESIA VERSION (2011): A SEMIOTIC STUDY.
AFIF LUTHFI WALIYULLAH, 121012161 ; THE USE OF COHESIVE DEVICES IN ARTICLES ABOUT JOKO WIDODO’S POLICY ON DEATH PENALTY PUBLISHED IN KOMPAS.COM NEWS PORTAL.
AGNES LEONA, 121211231040 ; MAN’S BODY ON THE LINE: MALE OBJECTIFICATION IN MAGIC MIKE (2012).
AJENG KARINANZA RAMADHINA, 121211232105 ; AN ANALYSIS OF REQUEST STRATEGIES USED BY BUYERS DURING BARGAINING AT PASAR KENCONG JEMBER.
ALIF NURWAHYUNI, 121211233050 ; Teacher Talk And Student Talk In English Class In Grade Six Of International Class Program (Icp) In Al-Munawwarah Islamic Elementary School, Pamekasan, Madura.
AMIROH DINIAH, 121411223005 ; CODE SWITCHING PRACTICED BY ARABIC DESCENDANTS IN KALIMAS UDIK AMPEL SURABAYA.
ANA TIRTASARI, 121211233069 ; THE SPEECH FEATURES OF DIFFERENT AGE GROUPS IN FEMALE MADURESE-INDONESIAN BILINGUAL COMMUNITY IN BANGKALAN, MADURA.
ANISAH FATHIROH, 121211232106 ; THE CELEBRIFICATION OF POLITICIAN ON INSTAGRAM: A CASE STUDY OF @RIDWANKAMIL.
APRILYA INDAH R., 121211232011 ; WOMEN STEREOTYPES REPRESENTED BY SONG JI HYO IN RUNNING MAN KOREAN VARIETY SHOW.
ASIK PUTRI AYUSARI RATNANINGSIH, 121112023 ; THE CONCEPT OF BEAUTY IN LORD BYRON’S POEMS SHE WALKS IN BEAUTY AND THERE BE NONE OF BEAUTY’S DAUGHTERS: A READER RESPONSE STUDY ON ENGLISH DEPARTMENT STUDENTS OF FACULTY OF HUMANITIES OF UNIVERSITAS AIRLANGGA.
ASTRIED VIRDHA ARDHIATYHARSONO, 121211233049 ; DEFINING A HERO: AN ARCHETYPAL STUDY ON THE CHARACTER OF KARNA IN R. A. KOSASIH’S MAHABHARATA COMIC SERIES (2000 – 2002).
ATHAYA PRITA BELIA, 121211232099 ; THE PORTRAYAL OF UNDERMINING POWER IN JAMES DASHNER’S THE MAZE RUNNER : A FOUCAULDIAN STUDY.
AZMI KARTIKASARI, 121112127 ; THE PORTRAYAL OF PARENT-CHILD DIASPORIC IDENTITY IN AN NA’S NOVEL A STEP FROM HEAVEN: A POST COLONIAL STUDY.
Abee Hanantan, 121311233117 ; COHESIVE DEVICES IN ARTICLE ABOUT ISIS RAID IN JAKARTA PUBLISHED IN THE NEW YORK TIMES ONLINE MEDIA.
Alberta Natasia Adji, 121211231005 ; THE SENSIBLE SISTER FORESEES EVERYTHING: A HYPERTEXTUAL STUDY IN GRIMM BROTHERS’ THE WORN-OUT DANCING SHOES AND JULIET MARILLIER’S WILDWOOD DANCING.
Alda Fakhrizal Khafidzy, 121211223004 ; FEMININITY AND MASCULINITY PORTRAYED BY THE MAIN FEMALE CHARACTER IN THE MORTAL INSTRUMENTS: CITY OF BONES (2007) NOVEL.
Andri Nova Sanjaya, 121211231129 ; A DIACHRONIC CORPUS BASED ANALYSIS OF ADJECTIVAL COLLOCATES OF [GAY] AND [LESBIAN] IN AMERICAN ENGLISH FROM 1990-2015.
Anitria Widyastuti, 121411223033 ; EXCHANGE VALUE OF SYAR’I IDENTITY PERFORMED BY THE DRIVERS OF PT OJEK SYAR’I INDONESIA BASED IN SURABAYA.
Annishah, 121211231124 ; A CASE STUDY IN SPEECH ACCOMMODATION USED BY ENGLISH DEPARTMENT STUDENTS OF UNIVERSITAS AIRLANGGA ORIGINATED FROM KARESIDENAN KEDIRI TOWARD SURABAYA JAVANESE VARIETY.
Armando Diaz Mansyur, 121112116 ; AN ANALYSIS OF SWEAR WORDS UTTERED BY POINT BLANK GAME ONLINE PLAYERS.
Arsita Diningrum, 121411223025 ; CONVERSATIONAL IMPLICATURE IN “SARAH SECHAN” TALK SHOW OF GO GREEN EPISODES.
Astrid Vita Prilya, 121112075 ; THE POTRAYAL OF PI’S SURVIVAL IN YANN MARTEL’S LIFE OF PI A NEW CRITICISM STUDY.
Azalea Nadya Putri, 121311223014 ; ALLUSION TRANSLATION STRATEGIES: A CASE STUDY IN THE INDONESIAN TRANSLATION OF COMEDY MOVIE ENTITLED TED.
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BANGGA ARYO PRATOMO, 121411223015 ; POLITENESS STRATEGIES USED BY THE PARTICIPANTS OF PAPA MINTA SAHAM CONVERSATION.
BELATRIXTA NEGARA, 121211231123 ; SEMANTIC CHANGES AND SEMANTIC FEATURES FOUND IN INSTAGRAM DICTIONARY: A CASE STUDY ON 8FACTDICTIONARY.
BIMO WICAKSONO EFENDA HUTAHAEAN, 121411223010 ; THE REGISTER USED IN "PAK YEK" AUTO REPAIR SHOP SURABAYA.
Bahrudin Nur Aziz Zakaria, 121211231032 ; POLITENESS STRATEGIES USED BY SANTRI (MALE STUDENTS) AND USTADZ (MALE TEACHERS) IN THEIR INTERACTION AT PESANTREN SALAF ALQURAN SHOLAHUL HUDA AL-MUJAHIDIN MALANG.
Bayu Prakasa, 121112045 ; BACK TO AFRICA MOVEMENT IN LORRAINE HANSBERRY’S DRAMA A RAISIN IN THE SUN: A NEW HISTORICISM STUDY.
Beryl Septiani Adji, 121211232002 ; THE YOUNG PROTAGONISTS’ SELF-RELIANCE IN BEATRIX POTTER’S THE TALE OF PETER RABBIT AND NANCY FARMER’S THE HOUSE OF THE SCORPION: AN INTERTEXTUAL STUDY.
Bontisesari, 121211231013 ; LANGUAGE AND SEXUALITY: AN APPRAISAL ANALYSIS ON YOUNG HOMOSEXUALS’ COMING OUT STORIES IN MELELA.ORG.
Brian Fajar Mauladhika, 121112068 ; THE REPRESENTATION OF MASCULINITY IN “TOP COFFEE INSPIRASI FEATURING IWAN FALS” COMMERCIAL: A SEMIOTICS STUDY.
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CAPRITIA DIRGANTARI, 121211233031 ; BLACK PRIDE IN MULE BONE: A COMEDY OF NEGRO LIFE BY ZORA NEALE HURTON AND LANGSTON HUGHES: A NEW HISTORICISM STUDY.
CLAUDIO SUWANDI, 121211232049 ; SUPER BLACK ARCHETYPE ON NICK FURY CHARACTER IN THE AVENGERS ;FILM.
Cicilia Deandra Maya Putri, 121211233033 ; A STUDY OF CORRECTIVE FEEDBACK AND L2 LEARNER’S UPTAKE IN ENGLISH GRAMMAR CLASS.
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DEVITA PUSPA DEWI, 121411223029 ; THE IMPLICATION OF LESBIAN CONTINUUM IN LAOTONG RELATIONSHIP IN LISA SEE'S NOVEL SNOW FLOWER AND THE SECRET FAN.
DIAH AYU OKIYANTI, 121211233051 ; LARA CROFT’S SENSUALITY IN TOMB RAIDER 2013: AN AUDIENCE STUDY ON HETEROSEXUAL MALE GAMERS IN SURABAYA GAMERS COMMUNITY.
DINDA NURISKA WIDYANA, 121211231117 ; THE PORTRAYAL OF WOMEN THROUGH THE BEAUTY MYTH CONCEPT ON FEMALE CHARACTER IN ALL ABOUT THAT BASS MUSIC VIDEO BY MEGHAN TRAINOR.
DINDA PRADHITA MAHARARAS, 121211231008 ; THE LANGUAGE ATTITUDES OF MALE SURABAYANESE YOUTH TOWARD LINGUISTIC LANDSCAPES WRITTEN IN INDONESIAN, JAVANESE, AND ENGLISH.
DWI LARAS PRASETIO, 121012052 ; THE STUDY OF ESCH’S NEGOTIATION TOWARD TRADITIONAL GENDER ROLES IN JESMYN WARD’S SALVAGE THE BONES.
DWI MEI SUHARTANTI, 121211232086 ; THE IMPACT OF TRAUMATIC CHILDHOOD EXPERIENCE ON MARTIN VANGER’S SADISTIC PERSONALITY IN STIEG LARSSON’S THE GIRL WITH THE DRAGON TATTOO: A PSYCHOANALYTIC CRITICISM.
Devany Yuzsa Huznadya Putri, 121112103 ; THE PERSPECTIVE OF MARCUS LUTTRELL AS THE AUTHOR AND COLONIZER IN LONE SURVIVOR NOVEL: A POSTCOLONIAL AUTOBIOGRAPHY STUDY.
Dhahayu Nabila Adyani, 121112142 ; THE IDEAL LEADER REPRESENTED ON MEMES PRINTED #SAVEHAJILULUNG ON TWITTER.
Dika Febryan Kawengian, 121112145 ; THE REPRESENTATION OF WOMEN IN DETEKSI INSTAGRAM ACCOUNT @deteksi_jp.
Dika Prestiawam, 121211231037 ; THE REPRESENTATION OF AFRICAN AMERICAN WOMEN IN BEYONCE’S FLAWLESS MUSIC VIDEO ;.
Dita Dewi Palupi, 121211232014 ; CREATING A KOMERING DICTIONARY BASED ON THE SEMANTIC DOMAIN APPROACH: A CASE STUDY ON THE SEMANTIC DOMAIN OF DAILY LIFE.
Donna Rizky Iskandar, 121112090 ; One Choice Can Transform You: Beatrice’s Choices of Her Life in Gaining Her Identity in Veronica Roth’s Divergent.
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EKO BUDIAWAN, 121012160 ; THE REPRESENTATION OF WOMAN IN 3 –ALWAYS ON ADVERTISEMENT BEBAS KINI SEMAKIN NYATA (WOMAN VERSION).
EMHA NOVEL MAULANA, 121311223003 ; RESOLVING THE NATURE IN JEANNE DUPRAU'S NOVEL THE CITY OF EMBER : NEW CRITICISM APPROACH.
Elok Purnamasari, 120810087 ; The Struggle for Self-Existence of Lionel Essrog in Jonathan Lethem’ Motherless Brooklyn: A New Criticism.
Elok Purnamasari, 120810087 ; The Struggle for Self-Existence of Lionel Essrog in Jonathan Lethem’ Motherless Brooklyn: A New Criticism.
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FADILAH, 121211231010 ; DECONSTRUCTING HUMAN BEINGS’ NATURE IN LOIS LOWRY’S THE GIVER.
FAIRUZ SU’DA, 121211232098 ; SOCIETY’S IGNORANCE TOWARDS ADDICTS’ PREDICAMENT IN J. K. ROWLING’S THE CASUAL VACANCY: A DYNAMIC STRUCTURALISM STUDY.
FANANDIA FARADANA ADENANSI, 121411223018 ; GRINDRIS' VIRTUAL IDENTITY: A CASE STUDY IN GANG PATAYA AND AMPEL SURABAYA.
FEBRY FORTUNA, 121112007 ; THE SOCIETY OPPRESSION IN CONSTRUCTING THE BEAUTY STANDARD: A FEMINIST READING OF SCOTT WESTERFELD’S NOVEL UGLIES.
FIKRI AL GHUFRON, 121211232111 ; A STUDY OF FLOUTING GRICE’S MAXIMS OF COOPERATIVE PRINCIPLE BY MALE AND FEMALE PRESENTERS IN “PAGI – PAGI” TALKSHOW (BROADCASTED ON JUNE 9TH 2015).
FIRDAUSI PRAJATA WIDYASWARI, 121411223035 ; EROS AND THANATOS INSTICTS OF TWINS CHARACTER IN THE SKELETON TWINS MOVIE .
FITRI AMALIA WARDANI, 121411223032 ; A CULTURAL STUDY OF ALCOHOLISM REPRESENTATION IN MUSIC VIDEO CHANDELIER BY SIA FURLER.
FRISCHA ADITYA FITRIYANTI, 121411223014 ; TRANSLATION ERRORS ON LABEL COLLECTIONS AT MESEUM ANGKUT BATU, MALANG.
Faustia Kartika Sari, 121211231011 ; THE USE OF COHESIVE DEVICES IN AN ARTICLE ABOUT BALI NINE PUBLISHED IN ONLINE NEWSPAPER “THE AUSTRALIAN”.
Firza Aidil Ardiansyah, 120912188 ; AUDIENCE RESEARCH OF REALITY TV PROGRAM: ORANG – ORANG PINGGIRAN IN GUBENG, KELURAHAN PUCANG SEWU.
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GAMMA REVIRO ARDY, 121211233026 ; ANGELA MITHCELL’S FRACTURED IDENTITY IN WILLIAM GIBSON’S COUNT ZERO.
Gabrielle Pauladica, 121112005 ; STUDY OF CLASSISM AND CLASS-STRUGGLE IN CHARLES JOHNSON’S DREAMER.
Galang Hari Putra, 121112147 ; THE REPRESENTATION OF MASCULINITY THROUGH “COWO” IN U MILD ADVERTISEMENT “INI BARU COWO U MILD” NGANTOR VERSION: A SEMIOTIC ANALYSIS.
Gelar Nanggala Wahyu Sagara Putra, 121211232007 ; The Construction of Masculinity on the Front Cover of Men's Magazine: A Semiotic Analysis on the Front Cover of DAMAN Magazine.
Gondo Handianto, 121112022 ; THE RESISTANCE OF GALILEO GALILEI AGAINST THE CHURCH’S DOMINATION IN BERTOLT BRECHT’S THE LIFE OF GALILEO.
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HITO YOSHIDA, 121211231121 ; WOMANHOOD IN AN INDIAN TV SERIES: AN AUDIENCE STUDY ON JODHA AKBAR TV SERIES.
HUDLROTUR RIZQIYYATUS S., 121211233048 ; AN AUDIENCE STUDY ON THE PORTRAYAL OF A TURKISH QUEEN (HURREM SULTAN) IN ABAD KEJAYAAN TV SERIES : CASE STUDY IN DUSUN TAMBAKSARI.
Hanggono Wibilaksono, 121112109 ; WOMAN REPRESENTATION ON FOREPLAY NIGHT CLUB ADVERTISEMENTS: A SEMIOTICS STUDY.
Hesti Maulidya, 121411223022 ; JOMBLO CONSTRUCTION IN THE MEMES OF DAGELAN INSTAGRAM ACCOUNT: A SEMIOTIC ANALYSIS.
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IKA NUR RACHMAWATI, 121411223002 ; TRANSLATION ERRORS IN BILINGUAL BOOKS OF INDONESIAN FOLKLORES.
INKE YUDHITIA SAVITRI, 121311223010 ; Eleanor's Responses toward Domestic Violence in Rainbow Rowell's Eleanor & Park: Feminist Criticism in Children literature.
INNEKE KUSUMAWATI, 121211223018 ; THE IMPACT OF PARENTS ABSENCE UNDERGONE BY THE MAIN CHARACTERS IN BESTY BYARS’S THE SUMMER OF THE SWANSS.
INTAN SUKMA DEWI, 121211233070 ; THE REPRESENTATION OF GENDER STEREOTYPE IN RELATION TO VERB USAGE IN DISNEY ANIMATED MOVIES.
INTAN YOLANDA HUTAJULU, 121211231020 ; MISHEARINGS EXPERIENCED BY EARLY INDONESIAN ADOLESCENTS IN PERCEIVING SPEECH WITH DIFFERENT RATES.
Ikhlasul Amal, 121112099 ; THE REPRESENTATION OF MASCULINITY FOR THE IDEAL INDONESIAN LEADER IN L.A. LIGHTS COMMERCIAL VIDEO “CARI YANG PAS” VERSION: A SEMIOTIC STUDY.
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LUCKY PRASETYA AJI, 120810066 ; THE IDENTITY CONSTRUCTIONS IN TELKOMSEL ADVERTISEMENT (Kartu Halo FIT 125, SIMPATI dancelikeAgnes, Kartu AS PlayMania).
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M Septian Eka Budi S, 121112042 ; HYBRID MASCULINITY CONSTRUCTION IN @menandcoffee INSTAGRAM ACCOUNT.
M. Ilham Aryaduta, 121211233035 ; CODE-SWITCHING USED IN FINAL DOTA 2 AGES (ASEAN GAMES FOR ESPORTS) 2016 INDONESIA QUALIFIER COMMENTARY.
MAHARANI KARTIKA RAHMI, 121112128 ; THE REPRESENTATION OF LUCY AS TOUGH WOMAN IN LUC BESSON’S LUCY .
MAULIDA INTAN KEMALA SARI, 121211233027 ; LIVING IN AN IDEAL WORLD: EXPLORING WHITE SUPREMACY AND COLONIZATION THROUGH THE SIMS 4 NON-WHITE PLAYERS’ EXPERIENCE IN THE SIMS 4 INDONESIA GAME COMMUNITY.
MELLYA JUNITA ULFA, 121211231003 ; THE INFLUENCE OF TOTAL PHYSICAL RESPONSE TOWARDS STUDENTS’ LISTENING SKILL TO THIRD GRADE STUDENTS OF MI SABILILLAH SAMPANG-MADURA.
MILAWATY, 121211232101 ; THE REPRESENTATION OF INDONESIA IN AN AUSTRALIAN NEWSPAPER SYDNEY MORNING HERALD ONLINE 2015 COVERING THE CASE OF ANDREW CHAN AND MYURAN SUKUMARAN‟S DEATH PENALTY: A CRITICAL DISCOURSE ANALYSIS.
MOHAMMAD FACHRI ALFIAN, 121411223012 ; THE PORTRAYAL OF AN INDEPENDENT WOMAN IN MALALA YOUSAFZAL AND CHRISTIMA LAMB'S : MEMOIR: I AM MALALA.
Maria Imaculata Jessica M, 121211231001 ; THE ACADEMIC ARTICLE WORD LIST IN SOCIAL SCIENCES AND PHYSICAL SCIENCES JOURNAL ARTICLS.
Marina Pratiwi, 121211233067 ; AUDIENCE RESPONSES TOWARD POLRI’S FIGURE’S ON 86 REALITY SHOW NET-TV.
Masandra Kukuh Bayu Firmansyah, 121411223004 ; CYBORG ANXIETY IN TRANSCENDENCE FILM .
Maya Kurnia Murti, 121211233059 ; THE ACADEMIC ARTICLE WORD LISTS IN HEALTH SCIENCES AND LIFE SCIENCES JOURNALS.
Moh. Luki Asrofi, 121112129 ; Slips of the Tongue Produced by Prabowo’s Witnesses in the Constitutional Court.
Muhammad Azmi Adhim, 121211231002 ; PETER MILLER'S AND ALFRED OSTER'S DENIALS DEPICTED IN FREDERICK FORSYTH'S NOVEL THE ODESSA FILE: A PSYCOANALYSIS STUDY.
Mutiara Rizky Arisandy, 121112065 ; TRAPPED IN THE FALSE CONSCIOUSNESS: A MARXIST CRITICISM IN LEVY’S THE INTERNSHIP FILM ;.
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NABILA ZUHROH TERANANDA, 121112026 ; JACK’S EFFORT TO OVERCOME HIS SOCIAL PHOBIA AFTER HIS GREAT ESCAPE IN EMMA DONOGHUE’S ROOM : A NEW CRITICISM STUDY.
NAUFAL ARVY RASYIDIN, 121211231021 ; CONSUMPTION ACTIVITIES OF THE ORDER 66 INDONESIA STAR WARS FANS VIRTUAL COMMUNITY: A VIRTUAL ETHNOGRAPHY STUDY.
NESA KARINA PUTRI, 121211233046 ; A STUDY OF CONVERSATIONAL IMPLICATURES IN TETANGGA MASA GITU SITUATION COMEDY.
NITA SURYANTI, 121112082 ; THE ECOLOGICAL IMPERIALISM IN ISLAND OF THE BLUE DOLPHINS NOVEL BY SCOTT O’DELL: A POSTCOLONIAL ECOCRITICISM STUDY.
NUKY ANGGARIO, 121112064 ; An ANALYSISI OF LANGUAGE FUNCTIONS USED BY BUZZER JOKOWI ON TWITTER.
NUNUK PURWANTI, 120912206 ; THE USE OF ENGLISH COMIC STRIP AS A TEACHING MEDIUM TO ENHANCE THE ABILITY OF STORYTELLING OF STUDENTS IN “SMP ULUL ALBAB SIDOARJO” (A DESCRIPTIVE QUALITATIVE CASE STUDY).
NUR AINI, 121211231120 ; THE GENDER PERFORMATIVITY OF FEMALE PRESENTER IN "MY TRIP MY ADVENTURE" REALITY SHOW PROGRAM.
NUR RATIH AMBARSARI, 121211231016 ; THE STUDY OF REGISTER USED BY DOCTORS AND NURSES AT ADI HUSADA UNDAAN WETAN HOSPITAL SURABAYA.
NURINDAH AFRIANIS, 121411223016 ; POST-COLONIAL IDENTITY CRISIS AS NATIVE AND INDIAN DIASPORA IN USA SEEN THROUGH THE USE OF KRISHNAN'S LANGUAGE IN SHILPI SOMAYA GOWDA'S NOVEL SECRET DAUGHTER.
NURRI ULSPA KUNTHI PERMANA, 121211233063 ; FALSE WOMEN’S EMPOWERMENT: THE REPRESENTATION OF FEMININITY AND SUBORDINATION OF WOMEN TO MEN IN THEOLXINDONESIA COMMERCIALS“RUMAH TANGGA” VERSION (2014-2015).
Natasya R.I.S, 121211232092 ; THE NEW REPRESENTATION OF INDONESIAN MUSLIM BEAUTY THROUGH VIZZILY'S INSTAGRAM ACCOUNT:DISCOURSE ANALYSIS.
Novita Kurniawati, 121211232094 ; TRANSLATION TECHNIQUES OF ENGLISH PERSONAL PRONOUNS YOU AND I INTO INDONESIAN: A CASE STUDY ON PRIDE AND PREJUDICE MOVIE.
Nur Fita Sari, 121112076 ; THE HYBRIDIZATION OF MASCULINITY IN G-DRAGON’S CRAYON MOVIE VIDEO: A SEMIOTICS ANALYSIS.
Nurus Sholikha, 121211231118 ; THE REPRESENTATION OF BEAUTY MYTH OF INDONESIAN WOMEN IN WARDAH LIGHTENING BEAUTY BALM CREAM PRODUCT TELEVISION COMMERCIAL.
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OKTAVIANA TITAN I., 121211232093 ; MISHEARINGS EXPERIENCED BY INDONESIAN ADOLESCENCE IN PERCEIVING SPEECH WITH DIFFERENT RATES.
ORIZA PRASTY LESTARI, 121411223011 ; THE DEPICTION OF REPRESSION TRIGGERED BY TRAUMA OF BONE CHARACTER IN DOROTHY ALLISON'S BASTARD OUT OF CAROLINE.
OVRIZA DIEN KARTIKA, 121411223009 ; RACIAL OPPRESSION EXPERIENCES BY AFRICAN AMERICAN SLAVES IN HARRIETTE GILLEM ROBINET'S FORTY ACRES AND MAYBE A MULE.
Oktavianus Yeri Kristiawan, 121112025 ; THE CONSUMPTION OF ULTRAS CYBERXTREME AS IDENTITY CONSTRUCTION FOR ULTRAS FOOTBALL SUPPORTERS.
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PUTRI CORNEA PUASARI, 121211231009 ; THE POACHING POACHERS: A STUDY OF INFINITEYAOI FANFICTION CONSUMPTION IN ASIANFANFICS.COM BY MEMBERS OF “INSPIRIT SURABAYA”.
PUTRI RIZKA UTAMI, 121112036 ; THE NARRATOR’S TRAUMATIC EXPERIENCE IN NEIL GAIMAN’S THE OCEAN AT THE END OF THE LANE.
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